{"id":1634,"date":"2024-07-11T04:36:50","date_gmt":"2024-07-11T04:36:50","guid":{"rendered":"https:\/\/complit.hku.hk\/?page_id=1634"},"modified":"2024-07-11T04:58:03","modified_gmt":"2024-07-11T04:58:03","slug":"clit2088-critical-approaches-to-film-studies","status":"publish","type":"page","link":"https:\/\/complit.hku.hk\/index.php\/clit2088-critical-approaches-to-film-studies\/","title":{"rendered":"CLIT2088: Critical Approaches to Film Studies"},"content":{"rendered":"<p>6 Credits | <a href=\"https:\/\/complit.hku.hk\/index.php\/faculty\/leiyalee\/\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Dr. Leiya LEE<\/strong><\/a><\/p>\n<p>This course is designed to acquaint the student with the principal critical methods and theoretical debates of film theory.\u00a0 In addition to providing a survey of film theories, this course focuses on the interconnections of theory with film criticism and production practices.\u00a0 A range of fiction and non-fiction films will be screened, including early Soviet, classical Hollywood, Third Cinema, French New Wave, and contemporary international productions.\u00a0 Theoretical perspectives include structuralism, semiology, Marxism, feminism, psychoanalysis, queer theory, post-structuralism, and cultural studies.\u00a0 Some of the theoretical issues covered include questions of narrative and narration, realism, formalism, modernism, postmodernism, post-colonialism, gender, sexuality, ideology, authorship, and genre.<\/p>\n<p>Assessment: 100% coursework.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>6 Credits | Dr. Leiya LEE This course is designed to acquaint the student with the principal critical methods and theoretical debates of film theory.\u00a0 In addition to providing a survey of film theories, this course focuses on the interconnections of theory with film criticism and production practices.\u00a0 A range of fiction and non-fiction films &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/complit.hku.hk\/index.php\/clit2088-critical-approaches-to-film-studies\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;CLIT2088: Critical Approaches to Film Studies&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1634","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/complit.hku.hk\/index.php\/wp-json\/wp\/v2\/pages\/1634","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/complit.hku.hk\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/complit.hku.hk\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/complit.hku.hk\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/complit.hku.hk\/index.php\/wp-json\/wp\/v2\/comments?post=1634"}],"version-history":[{"count":2,"href":"https:\/\/complit.hku.hk\/index.php\/wp-json\/wp\/v2\/pages\/1634\/revisions"}],"predecessor-version":[{"id":1647,"href":"https:\/\/complit.hku.hk\/index.php\/wp-json\/wp\/v2\/pages\/1634\/revisions\/1647"}],"wp:attachment":[{"href":"https:\/\/complit.hku.hk\/index.php\/wp-json\/wp\/v2\/media?parent=1634"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}