{"id":166,"date":"2019-08-06T09:51:42","date_gmt":"2019-08-06T09:51:42","guid":{"rendered":"https:\/\/www.complit.hku.hk\/wp\/wp-content\/uploads\/2019\/08\/Winnie-L.M.jpg"},"modified":"2025-07-15T08:18:42","modified_gmt":"2025-07-15T08:18:42","slug":"winnie-l-m","status":"inherit","type":"attachment","link":"https:\/\/complit.hku.hk\/index.php\/faculty\/winnie-l-m\/","title":{"rendered":"Dr. Winnie L. M. Yee \u4f59\u9e97\u6587"},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"class_list":["post-166","attachment","type-attachment","status-inherit","hentry"],"description":{"rendered":"

\"\"<\/a><\/p>\n

PhD, The University of Hong Kong
\nMA, Jean-Moulin Lyon III
\nMA, Warwick
\nBA, The University of Hong Kong<\/p>\n

\u2022\tMALCS Programme Coordinator
\n\u2022\tOffice: RRST* 9.38
\n\u2022\tEmail: yeelmw@hku.hk<\/a><\/p>\n

PROFILE<\/strong>:
\nWinnie Yee<\/strong>, recipient of the Faculty Teaching Excellence Awards (Academic-related) in 2022-23, is Programme Coordinator of MA in Literary and Cultural Studies at the University of Hong Kong. She was a fellow at the Rachel Carson Center for the Environment and Society at LMU, Munich in 2020, and a fellow at the Joint Center for Advanced Studies \u201cWorldmaking from a Global Perspective: A Dialogue with China\u201d in Germany in 2022. Her research interests are eco-criticism, contemporary Chinese literature and film, Hong Kong culture, Asian independent cinema, and postcolonial theories. She is currently working on a book project exploring the relationship between ecopoetic, Chinese literature, and the independent film scene, and an edited volume on the lives of the Deltas.<\/p>\n

PUBLICATIONS (Selected & Peer-reviewed)<\/strong>
\nJournal Article(s)<\/strong>:
\n\u2022\t\u201cEnvironmental Imagination in Hong Kong Literature: Representation of Nature in Pre- and Post-1997 Era\u201d Routledge Resources Online \u2013 Chinese Studies<\/em> (forthcoming, 2025)
\n\u2022\t\u201cEcopoetry as Method: Reading Gary Snyder as a Cultural Mediator between China and the World\u201d. CLCWeb: Comparative Literature and Culture<\/em> 25:2 (Oct 2023).
\n\u2022\t\u201cManufacturing environmental disasters: an analysis of eco-documentaries in the age of Asia.\u201d Interventions<\/em> 26:2 (2023): 268-291. DOI: 10.1080\/1369801X.2022.2158485.
\n\u2022\t\u201cGhostly Chronotopes: Spectral Cityscapes in Post-2000 Chinese Literature.\u201d PRISM<\/em> 19:1 (2022): 28-45.
\n\u2022\t\u201cDenaturalizing Natural Tropes: Thinking through Ecocritical Discourse in Post-handover Hong Kong.\u201d Cultural Studies<\/em> 26:2 (2022): 185-207. (Outstanding Paper Award for Hong Kong Studies Annual Conference 2020\/21)
\n\u2022\t\u201cReinventing \u201cNature\u201d: A Study of Ecotopian and Cultural Imaginaries in Hong Kong Literature.\u201d PRISM<\/em> 17:2 (2020):244-263.
\n\u2022\t\u201cOf Activism and the Land: Ecological and Utopian Visions of Post-Handover Hong Kong Documentaries.\u201d Ex-position<\/em>, Issue No. 42 (December 2019): 119-137.
\n\u2022\t\u201cDecoding The Trading Floor<\/em>: Charting a Postcolonial Hong Kong Identity through the TV Screen.\u201d SERIES<\/em>, Vol. 5, No. 2 (Winter 2019): 83-94.
\n\u2022\t\u201cEditorial, Special Issue Introduction: Why Asian Ecocinema?\u201d Asian Cinema<\/em> 30.2 (2019): 159-168.
\n\u2022\t\u201cThe Post-urban Gaze and Hong Kong Independent Cinema: An Ecofeminist Perspective.\u201d Asian Cinema<\/em> 30.2 (2019): 219-234.
\n\u2022\t\u201cWriting the Therapeutic Waterscape: Bodies, Memories, and Nature in Post-Socialist Chinese Texts.\u201d Communication and the Public<\/em> 3:4 (2018): 322-334.<\/p>\n

Book Chapter(s)<\/strong>:
\n\u2022\t\u201cThe Eco-Critical Turn in Hong Kong Studies.\u201d Handbook of Hong Kong Studies<\/em>. Eds. Leo Shing & Helena Wu. Leiden: Brill. (Under review)
\n\u2022\t\u201cComing of Age in Post-urban Hong Kong: An Ecocritical Approach to Land-writing and Land-filming.\u201d Coming of Age in Chinese Literature and Cinema: Sinophone Variations of the<\/em> Bildungsroman. Eds. Andrea Riemenschnitter, Kiu-wai Chu & Mung Ting Chun. Amsterdam: Amsterdam University Press. Amsterdam: Amsterdam University Press. 2025. 257-277.
\n\u2022\t\u201cDecommodifying Food in the Age of the Anthropocene: Cultural Identities and Culinary Habits in Leung Ping-kwan\u2019s Poetry\u201d. Foodscapes of the Anthropocene<\/em>. Eds. Hannes Bergthaller & You-ting Chen. Lausanne: Peter Lang. 2024. 159-182.
\n\u2022\t\u201cPerforming Disaster and Trauma: A Cross-cultural Dialogue between Post-Socialist China and Munich in the Age of Globalization.\u201d German \u2013 Chinese Cultures in Dialogue<\/em>. Eds. Jin Haina, Anna Stecher &Rebecca Ehrenwirth. German \u2013 Chinese Cultures in Dialogue<\/em>. Switzerland: Springer. 2023. 65-79.
\n\u2022\t“Nature in the City: A Study of Hong Kong\u2019s Independent Eco-film Festival.\u201d Ecology and Chinese-Language Cinema: Reimagining a Field<\/em>. Eds. Sheldon Lu & Haomin Gong. London & New York: Routledge. 2020. 48-64.
\n\u2022\t\u201cContemplating Land: An Ecocritique of Hong Kong.\u201d Chinese Environmental Humanities: Practices of Environing at the Margins<\/em>. Ed. Chia-ju Chang. NY: Palgrave Macmillan. 2019.271-288.
\n\u2022\t\u201cLocal Stories, Global Catastrophe: Reconstructing Nation, Asian Cinema, and Asian Eco-consciousness in Japan\u2019s 3.11 Films.\u201d (co-author with Kiu-wai Chu). The Palgrave Handbook of Asian Cinema<\/em>. Eds. Aaron Han Joon Magnan-Park, et al. London: Palgrave Macmillan. 2018. 667-687.
\n\u2022\t\u201cVibrant Objects, Shifting Perspectives: Understanding Hong Kong Poetry as Method.\u201d Hong Kong Culture and Society in the New Millennium<\/em>: Hong Kong as Method. Ed. Yiu-wai Chu. Singapore: Springer Nature Singapore Pte Ltd. 2017. 151-164.<\/p>\n

Research (as Principal Investigator)<\/strong>:
\n\u201cManufacturing Environmental Imaginations: An Analysis of Ecodocumentaries in the Age of Asia\u201d, funded by Seed Funding for Basic Research, (May 2019 \u2013 completed)<\/p>\n

\u201cThe Politics of Ruins and Everyday Life: Studies of Chinese Urban Texts in the 2000s\u201d RGC General Research Fund (GRF), (Project No. 17616817. August 2017 \u2013 completed)<\/p>\n

\u201cFrom Landscape to Waterscape: Place-(Un)Making in Contemporary Chinese-language Films\u201d, funded by Seed Funding for Basic Research
\nProject Date: 01\/05\/2016 \u2013 31\/10\/2017 (completed)<\/p>\n

Fellowship & International Collaboration<\/strong>
\n2025-31 Visiting Research Fellow, Center for Cross-Cultural Studies KHU, Kyunghee University (Global Campus)
\n2021-22 Visiting Fellow at the Joint Center for Advanced Studies \u201cWorldmaking from a Global Perspective: A Dialogue with China\u201d, University of Heidelberg (1 June \u2013 31 July, 2022)
\n2020-25\t Invited Partner of Asia-Norway Environmental Storytelling Network (ANEST), funded by Research Council of Norway, led by Prof. Finn Arne J\u00f8rgensen (University of Stavanger, Norway)
\n2019-20\t Visiting Fellow at Rachel Carson Center for Environment and Society, LMU, Munich.<\/p>\n

Course(s) taught<\/strong><\/p>\n

Undergraduate<\/strong>:
\n\u2022\tCLIT2001 Comparative Studies of Literary and Visual Narratives
\n\u2022\tCLIT2066 Postmodernism<\/p>\n

Taught Postgraduate Courses (MALCS)<\/strong>:
\n\u2022\tCLIT7005 Approaches to Literary and Cultural Studies
\n\u2022\tCLIT7011 Hong Kong and beyond
\n\u2022\tCLIT7012 Dissertation Seminar
\n\u2022\tCLIT7013 Postmodernism
\n\u2022\tCLIT7025 Special Topics in Ecocriticism<\/p>\n"},"caption":{"rendered":"

Dr. Winnie L. M. Yee \u4f59\u9e97\u6587<\/p>\n"},"alt_text":"","media_type":"image","mime_type":"image\/jpeg","media_details":{"width":262,"height":299,"file":"2019\/08\/Winnie-L.M.jpg","sizes":{"thumbnail":{"file":"Winnie-L.M-150x150.jpg","width":150,"height":150,"mime_type":"image\/jpeg","source_url":"https:\/\/complit.hku.hk\/wp\/wp-content\/uploads\/2019\/08\/Winnie-L.M-150x150.jpg"},"twentyseventeen-thumbnail-avatar":{"file":"Winnie-L.M-100x100.jpg","width":100,"height":100,"mime_type":"image\/jpeg","source_url":"https:\/\/complit.hku.hk\/wp\/wp-content\/uploads\/2019\/08\/Winnie-L.M-100x100.jpg"},"full":{"file":"Winnie-L.M.jpg","width":262,"height":299,"mime_type":"image\/jpeg","source_url":"https:\/\/complit.hku.hk\/wp\/wp-content\/uploads\/2019\/08\/Winnie-L.M.jpg"}},"image_meta":{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"1","keywords":[]}},"post":96,"source_url":"https:\/\/complit.hku.hk\/wp\/wp-content\/uploads\/2019\/08\/Winnie-L.M.jpg","_links":{"self":[{"href":"https:\/\/complit.hku.hk\/index.php\/wp-json\/wp\/v2\/media\/166","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/complit.hku.hk\/index.php\/wp-json\/wp\/v2\/media"}],"about":[{"href":"https:\/\/complit.hku.hk\/index.php\/wp-json\/wp\/v2\/types\/attachment"}],"author":[{"embeddable":true,"href":"https:\/\/complit.hku.hk\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/complit.hku.hk\/index.php\/wp-json\/wp\/v2\/comments?post=166"}]}}